Simon Singh and John Lynch's film tells the enthralling and emotional story of Andrew Wiles. A quiet English mathematician, he was drawn into maths by Fermat's puzzle, but at Cambridge in the '70s, FLT was considered a joke, so he set it aside. Then, in 1986, an extraordinary idea linked this irritating problem with one of the most profound ideas of modern mathematics: the Taniyama-Shimura Conjecture, named after a young Japanese mathematician who tragically committed suicide. The link meant that if Taniyama was true then so must be FLT. When he heard, Wiles went after his childhood dream again. "I knew that the course of my life was changing." For seven years, he worked in his attic study at Princeton, telling no one but his family. "My wife has only known me while I was working on Fermat", says Andrew. In June 1993 he reached his goal. At a three-day lecture at Cambridge, he outlined a proof of Taniyama - and with it Fermat's Last Theorem.
Wiles' retiring life-style was shattered. Mathematics hit the front pages of the world's press. Then disaster struck. His colleague, Dr Nick Katz, made a tiny request for clarification. It turned into a gaping hole in the proof. As Andrew struggled to repair the damage, pressure mounted for him to release the manuscript - to give up his dream. So Andrew Wiles retired back to his attic. He shut out everything, but Fermat. A year later, at the point of defeat, he had a revelation. "It was the most important moment in my working life. Nothing I ever do again will be the same." The very flaw was the key to a strategy he had abandoned years before. In an instant Fermat was proved; a life's ambition achieved; the greatest puzzle of maths was no more.
May 19, 2011 by Matt DeAngelis VC Johnson is the genius behind the graphics that propelled Powell·Peralta into the stratosphere. His iconic images have inspired countless others to not only draw, but in some cases, to begin skating in the first place. An enigmatic figure, he disappeared off of the radar for almost 20 years until starting to work with Pocket Pistols a few years ago, and now back in his rightful place, Powell·Peralta. MD: So how did skateboard graphics fit into a journey of self exploration? VCJ: They answered to the needs of the soul that chose the body. The soul that inherited, that grabbed the baton in my early 30s had a very different mandate and how it affected the life is fascinating. I can see this in other souls who’ve come to profound turning points in their lives and I’ve shared notes with those souls who have experienced a transformation at the core of being. I come back to the company interested in a different o...
Virgil Warden Finlay was born and raised in Rochester, New York ; his father, woodworker Warden Hugh Finlay, died at age 40 in the midst of the Great Depression , leaving his family (widow Ruth and two children, Jean and Virgil) in straitened circumstances. By his high school years, Virgil Finlay exercised his passions for art and poetry, and discovered his lifelong subject matter through the pulp magazines of the era--science fiction, via Amazing Stories (1927), and fantasy and horror, via Weird Tales (1928), beginning to exhibit at the age of 16. By age 21 he was confident enough in his art to send six pieces, unsolicited, to editor Farnsworth Wright at Weird Tales . Once Wright determined that such detailed work would transfer successfully to relatively rough paper the magazine used (they were called "pulps" for a reason), he began buying Finlay's work. Finlay's illustrations debuted in the December 1935 issue of...
Sound City is a 2013 documentary film by Dave Grohl, at his directorial debut, about the history of Los Angeles recording studio Sound City Studios. Sound City Studios was located in the San Fernando Valley, amidst rows of dilapidated warehouses. The little-known recording studio housed a unique recording console and a reputation for recording drums. Artists such as Fleetwood Mac, Neil Young, Rick Springfield, Tom Petty, Kyuss, Slipknot and Nirvana recorded groundbreaking music at the studio. The film tells the story of the studio from its early days until its closing in 2011. It then follows Dave Grohl's purchase of the studio's custom analog console, which he moved to his personal studio, Studio 606. Famous musicians who recorded at Sound City reunite at Studio 606 to make an album of "all-new all-original songs, each one composed and recorded exclusively for the film within its own 24-hour session on that console.
