Simon Singh and John Lynch's film tells the enthralling and emotional story of Andrew Wiles. A quiet English mathematician, he was drawn into maths by Fermat's puzzle, but at Cambridge in the '70s, FLT was considered a joke, so he set it aside. Then, in 1986, an extraordinary idea linked this irritating problem with one of the most profound ideas of modern mathematics: the Taniyama-Shimura Conjecture, named after a young Japanese mathematician who tragically committed suicide. The link meant that if Taniyama was true then so must be FLT. When he heard, Wiles went after his childhood dream again. "I knew that the course of my life was changing." For seven years, he worked in his attic study at Princeton, telling no one but his family. "My wife has only known me while I was working on Fermat", says Andrew. In June 1993 he reached his goal. At a three-day lecture at Cambridge, he outlined a proof of Taniyama - and with it Fermat's Last Theorem.
Wiles' retiring life-style was shattered. Mathematics hit the front pages of the world's press. Then disaster struck. His colleague, Dr Nick Katz, made a tiny request for clarification. It turned into a gaping hole in the proof. As Andrew struggled to repair the damage, pressure mounted for him to release the manuscript - to give up his dream. So Andrew Wiles retired back to his attic. He shut out everything, but Fermat. A year later, at the point of defeat, he had a revelation. "It was the most important moment in my working life. Nothing I ever do again will be the same." The very flaw was the key to a strategy he had abandoned years before. In an instant Fermat was proved; a life's ambition achieved; the greatest puzzle of maths was no more.
May 19, 2011 by Matt DeAngelis VC Johnson is the genius behind the graphics that propelled Powell·Peralta into the stratosphere. His iconic images have inspired countless others to not only draw, but in some cases, to begin skating in the first place. An enigmatic figure, he disappeared off of the radar for almost 20 years until starting to work with Pocket Pistols a few years ago, and now back in his rightful place, Powell·Peralta. MD: So how did skateboard graphics fit into a journey of self exploration? VCJ: They answered to the needs of the soul that chose the body. The soul that inherited, that grabbed the baton in my early 30s had a very different mandate and how it affected the life is fascinating. I can see this in other souls who’ve come to profound turning points in their lives and I’ve shared notes with those souls who have experienced a transformation at the core of being. I come back to the company interested in a different o...
No, that's not a typo: Korean artist Seo Young-Deok's latest series of nude sculptures is made entirely from lengths of chain of both the medium-gauge household variety and bicycle chains. The color evokes traditional materials, i.e. bronze, yet the chain imparts a distinct texture even as it constitutes surprisingly detailed human forms, life-size and larger still. If the use of chains seems too easy a metaphor for human reality, Young-Deok transcends any gimmickry with his masterful command of his craft: he achieves a remarkable level of verisimilitude and aesthetic refinement. The bicycle chain sculptures are particularly impressive, as Young-Deok takes advantage of the articulation of the roller chain by creating sculptures in which the links face outward, like scales (above), as well as ones in which the chain appears to be wrapped around a figure (below). The latter variation strikes me as a riff on 3D-printing, where it is possible to discern di...
After we took a look at the modern jazz scene of Czechoslovakia in the previous episode of the Focus on European Jazz series, it’s time to delve into the jazz music of its neighbouring country Hungary. This is quite a logical step, as the history of the jazz scenes in Czechoslovakia and Hungary show many parallels. Being both Eastern European countries, Czechoslovakia and Hungary suffered from extreme left regimes that undoubtedly put their stamp on the history of their country’s jazz music. In Hungary, the harsh communist regime was installed right after the Second World War. This regime was opposed to jazz, as it was perceived as music with a distinctive Western character that represented freedom and other principles that did not fit the Soviet ideology. In 1956, the Hungarian people stood up against this regime, but the Soviet troops reacted heavily and killed 20.000 people. In that year the Hungarian borders were open for a brief period, during which approximately 250....
